Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 25
Stran 50
Elizabeth A. Drew, John L. Sweeney. points no less grimly to the sameness of violence , trickery , corruption and egotism in all ages . Whereas Eliot sees the origin of the modern collapse in the decay of tradition , Pound sees it in the ...
Elizabeth A. Drew, John L. Sweeney. points no less grimly to the sameness of violence , trickery , corruption and egotism in all ages . Whereas Eliot sees the origin of the modern collapse in the decay of tradition , Pound sees it in the ...
Stran 249
... less poignant and the ambivalence of the prayer less justifiable . The suggestion that the idyllic memory will be almost entirely erased by the painful years which follow justifies the prayer for revelation . But in recalling the idyll ...
... less poignant and the ambivalence of the prayer less justifiable . The suggestion that the idyllic memory will be almost entirely erased by the painful years which follow justifies the prayer for revelation . But in recalling the idyll ...
Stran 277
... less well - integrated ages , when a culture is beginning to decay , the great artist will , like Milton and Words- worth , protest against its degeneration , affirming his own principles , but feeling himself in revolt from his environ ...
... less well - integrated ages , when a culture is beginning to decay , the great artist will , like Milton and Words- worth , protest against its degeneration , affirming his own principles , but feeling himself in revolt from his environ ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats