Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 40
Stran 76
... lines . First there is the passive image of feel- ing , followed by an active image . The last two lines state the difference between the time when the lovers were together and the present separation . The one image is used throughout ...
... lines . First there is the passive image of feel- ing , followed by an active image . The last two lines state the difference between the time when the lovers were together and the present separation . The one image is used throughout ...
Stran 143
... lines is an excel- lent example of the intensified dramatic effect created by variations in the underlying pattern of music and meta- phor . The vivid direct language of the opening lines quoted above is supported by a repetitive ...
... lines is an excel- lent example of the intensified dramatic effect created by variations in the underlying pattern of music and meta- phor . The vivid direct language of the opening lines quoted above is supported by a repetitive ...
Stran 249
... lines of Agee's poem there is no statement directly recalling the moment of happiness . There is no clear memory of happiness at this point . It is indistinct and almost forgotten . So Agee recalls it not by restatement of the symbol ...
... lines of Agee's poem there is no statement directly recalling the moment of happiness . There is no clear memory of happiness at this point . It is indistinct and almost forgotten . So Agee recalls it not by restatement of the symbol ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats