Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 26
Stran 33
... literary coterie , or a set of different coteries , out of all contact with the solid body of contemporary cultivated society ; so that it sometimes appears as if his relations with his fellow men are limited to fulsome praise of the ...
... literary coterie , or a set of different coteries , out of all contact with the solid body of contemporary cultivated society ; so that it sometimes appears as if his relations with his fellow men are limited to fulsome praise of the ...
Stran 96
... literary movements which are rooted in profound changes in so- ciety and the individual , and not merely in literary fashion . That is , it was first ridiculed and reviled by established authority , and then when the poets had become ...
... literary movements which are rooted in profound changes in so- ciety and the individual , and not merely in literary fashion . That is , it was first ridiculed and reviled by established authority , and then when the poets had become ...
Stran 113
... literary genius does not principally show itself in discovering new ideas , that is rather the business of the philosopher . The grand work of literary genius is a work of synthesis and exposition , not of analysis and discovery ; its ...
... literary genius does not principally show itself in discovering new ideas , that is rather the business of the philosopher . The grand work of literary genius is a work of synthesis and exposition , not of analysis and discovery ; its ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats