Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 21
Stran 83
... renunciation of logic . They regarded the logical approach as representative of the scientific and industrial epoch and of spiritual strangulation . At the outset , André Breton defined Surrealism as ' POETRY AND MEANING 83.
... renunciation of logic . They regarded the logical approach as representative of the scientific and industrial epoch and of spiritual strangulation . At the outset , André Breton defined Surrealism as ' POETRY AND MEANING 83.
Stran 89
... logical sequence of ideas . ' But the full communication of such poetry to the reader depends upon his capacity to sense the implications which lie behind it . If the mental negotiations between the poet and the reader fall through ...
... logical sequence of ideas . ' But the full communication of such poetry to the reader depends upon his capacity to sense the implications which lie behind it . If the mental negotiations between the poet and the reader fall through ...
Stran 218
... logic , just as thinking in concepts is intellectual logic . The essence of the logic of the im- agination is that it can make abstractions concrete , by test- ing and interpreting them through the senses . Poetry is the richest and ...
... logic , just as thinking in concepts is intellectual logic . The essence of the logic of the im- agination is that it can make abstractions concrete , by test- ing and interpreting them through the senses . Poetry is the richest and ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats