Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 28
Stran 14
... matters of per- sonal choice , but it is difficult to see how a good poem can lose anything by elucidation . The ... matter and the emergence of a huge industrial and scientific civilization have transformed our world - which is also ...
... matters of per- sonal choice , but it is difficult to see how a good poem can lose anything by elucidation . The ... matter and the emergence of a huge industrial and scientific civilization have transformed our world - which is also ...
Stran 15
... matter what rules it breaks or what means it uses . Poetry is both an impulse and a discipline . To appreciate it fully the reader must know and feel its matter and its manner . The first essential is to possess a warm and lively ...
... matter what rules it breaks or what means it uses . Poetry is both an impulse and a discipline . To appreciate it fully the reader must know and feel its matter and its manner . The first essential is to possess a warm and lively ...
Stran 191
... matter which the poet , through in- competence or carelessness , has not fully energized into living tissue . Poets such as Dylan Thomas , and many of the Surreal- ists , appear to make of much of their writing simply a tech- nical ...
... matter which the poet , through in- competence or carelessness , has not fully energized into living tissue . Poets such as Dylan Thomas , and many of the Surreal- ists , appear to make of much of their writing simply a tech- nical ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
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abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats