Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 38
Stran 11
... past has been sifted through the mesh of time and the grain separated from the chaff , the permanent from the ephemeral . In judging contemporary verse , the task of time must be per- formed by the individual critic ; the critic's mind ...
... past has been sifted through the mesh of time and the grain separated from the chaff , the permanent from the ephemeral . In judging contemporary verse , the task of time must be per- formed by the individual critic ; the critic's mind ...
Stran 139
... past , while the hidden laughing ' children ' symbolize the future The coexistence of past , present and future points to the eternal pattern or Logos . Go , go , go , said the bird : humankind Cannot bear very much reality . Time past ...
... past , while the hidden laughing ' children ' symbolize the future The coexistence of past , present and future points to the eternal pattern or Logos . Go , go , go , said the bird : humankind Cannot bear very much reality . Time past ...
Stran 146
... past and time future What might have been and what has been Point to one end , which is always present . We find its echoes in Harry's agonized logic : Oh , is there any difference ! How can we be concerned with the past And not with ...
... past and time future What might have been and what has been Point to one end , which is always present . We find its echoes in Harry's agonized logic : Oh , is there any difference ! How can we be concerned with the past And not with ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats