Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 32
Stran 140
... pattern of the Logos : Only by the form , the pattern , Can words or music reach The stillness , as a Chinese jar still Moves perpetually in its stillness . Not the stillness of the violin , while the note lasts , Not that only , but ...
... pattern of the Logos : Only by the form , the pattern , Can words or music reach The stillness , as a Chinese jar still Moves perpetually in its stillness . Not the stillness of the violin , while the note lasts , Not that only , but ...
Stran 232
... pattern . As Eliot says : ' It is not our feelings , but the pattern we make of our feelings which is the centre of value . ' It is twofold - the pattern of image and the pattern of sound - and its purpose is to subserve the theme of ...
... pattern . As Eliot says : ' It is not our feelings , but the pattern we make of our feelings which is the centre of value . ' It is twofold - the pattern of image and the pattern of sound - and its purpose is to subserve the theme of ...
Stran 233
... pattern , so that his pattern is often little more than that . Picasso you give us Things which bulge Auditory and visual pattern should complement one an- other and enforce one another . As a small example , when Marianne Moore writes ...
... pattern , so that his pattern is often little more than that . Picasso you give us Things which bulge Auditory and visual pattern should complement one an- other and enforce one another . As a small example , when Marianne Moore writes ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats