Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Stran 144
... play . Between these two extremes there are occasional moments of dramatic excitement in which the action and the poetry share the same spirit and move on the same plane . Agatha is the vital element of the play . Without her presence ...
... play . Between these two extremes there are occasional moments of dramatic excitement in which the action and the poetry share the same spirit and move on the same plane . Agatha is the vital element of the play . Without her presence ...
Stran 145
... play has been chiefly one of language and its adjustment to a theme which shifts continually between realism and the world of the spirit . The play conveys the feeling of an experi- mental search for a medium which will accommodate both ...
... play has been chiefly one of language and its adjustment to a theme which shifts continually between realism and the world of the spirit . The play conveys the feeling of an experi- mental search for a medium which will accommodate both ...
Stran 147
... play because of the superior quality of its poetic ex- pression . The result of this superiority , however , is a fatal disproportion of dramatic interest between the play as a whole and its parts . Eliot's poetic sympathies in recent ...
... play because of the superior quality of its poetic ex- pression . The result of this superiority , however , is a fatal disproportion of dramatic interest between the play as a whole and its parts . Eliot's poetic sympathies in recent ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats