Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 46
Stran 185
... poet , to get all that his medium can give , must blend his own strength with the inherited strength of words . For the experience in the poet's mind when he sits down to write is only one step towards the composition of the poem , and ...
... poet , to get all that his medium can give , must blend his own strength with the inherited strength of words . For the experience in the poet's mind when he sits down to write is only one step towards the composition of the poem , and ...
Stran 191
... poet's technical achievements may be sure but slight . Many minor poets achieve a reputation in their own day above their real merit because of their firm hold on a pleasing technique quite adequate to any content they may have to ...
... poet's technical achievements may be sure but slight . Many minor poets achieve a reputation in their own day above their real merit because of their firm hold on a pleasing technique quite adequate to any content they may have to ...
Stran 274
... poet's instinct that he is of supreme value to the community , nor prove that his concern about the position of his ... poet's world , and poets , both great and small , found it impossible to come to terms with it . Their poetry was a ...
... poet's instinct that he is of supreme value to the community , nor prove that his concern about the position of his ... poet's world , and poets , both great and small , found it impossible to come to terms with it . Their poetry was a ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats