Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 77
Stran 107
... poet had not an organism more sensitive than that of the public he would not be a poet . It may happen , of course , that a poet's political convictions are fundamental to his work , as Milton's were ; but we do not have that feeling ...
... poet had not an organism more sensitive than that of the public he would not be a poet . It may happen , of course , that a poet's political convictions are fundamental to his work , as Milton's were ; but we do not have that feeling ...
Stran 185
... poet , and he likened the process of composition to the gradual fading and cooling of a glowing coal . Yet this aspect is apt to obstruct another point of view - the fact that ... poets adopt towards the instru- ment by POET AND MEDIUM 185.
... poet , and he likened the process of composition to the gradual fading and cooling of a glowing coal . Yet this aspect is apt to obstruct another point of view - the fact that ... poets adopt towards the instru- ment by POET AND MEDIUM 185.
Stran 274
... poet has been more often than not disparaged by all but a very small section of the public does not discredit the poet's instinct that he is of supreme value to the community , nor prove that his concern about the position of his art in ...
... poet has been more often than not disparaged by all but a very small section of the public does not discredit the poet's instinct that he is of supreme value to the community , nor prove that his concern about the position of his art in ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats