Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 9
Stran 73
... rhymes , with a humming and strumming accompaniment of fanciful spelled - out sounds . The Ordinary Women is a good ... rhyme . Stevens ' Crispin is concerned with the ' mythology of self . ' He shifts his position from that of ' Man is ...
... rhymes , with a humming and strumming accompaniment of fanciful spelled - out sounds . The Ordinary Women is a good ... rhyme . Stevens ' Crispin is concerned with the ' mythology of self . ' He shifts his position from that of ' Man is ...
Stran 176
... rhyme , by which poetry first becomes poetry ; but what is really deeply and fundamentally effective - what is really educative and inspiring , is what remains of the poet when he is trans- lated into prose . Against this we might put a ...
... rhyme , by which poetry first becomes poetry ; but what is really deeply and fundamentally effective - what is really educative and inspiring , is what remains of the poet when he is trans- lated into prose . Against this we might put a ...
Stran 242
... rhyme , and poetic craftsmanship has been lavished on every subtlety of half rhyme and near rhyme , of internal and hidden rhyme , of the rhyming of unstressed syllables and the definite rhyme disappointment . Marianne Moore is perhaps ...
... rhyme , and poetic craftsmanship has been lavished on every subtlety of half rhyme and near rhyme , of internal and hidden rhyme , of the rhyming of unstressed syllables and the definite rhyme disappointment . Marianne Moore is perhaps ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats