Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 43
Stran 143
... rhythm : God gave us always some reason , some hope ; but now a new terror has soiled us , which none can avert , none can avoid , flowing under our feet and over the sky ; Under doors and down chimneys , flowing in at the ear and the ...
... rhythm : God gave us always some reason , some hope ; but now a new terror has soiled us , which none can avert , none can avoid , flowing under our feet and over the sky ; Under doors and down chimneys , flowing in at the ear and the ...
Stran 202
... rhythm and the sound that don't penetrate the blood . ' Poetry is es- sentially movement . Its form is a rhythm . It is a ' body swayed to music . ' But this rhythm is not a matter of external sound pattern only , it is a fusion of two ...
... rhythm and the sound that don't penetrate the blood . ' Poetry is es- sentially movement . Its form is a rhythm . It is a ' body swayed to music . ' But this rhythm is not a matter of external sound pattern only , it is a fusion of two ...
Stran 239
... rhythms in the poetry of today is very different . The aim of Pound , and the Eliot of the early poems , was to reinstate the natural speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post ...
... rhythms in the poetry of today is very different . The aim of Pound , and the Eliot of the early poems , was to reinstate the natural speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats