Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 19
Stran 175
... speech is used as an aesthetic medium most of us need to make an inner adjustment which we do not need to make towards the aesthetic use of color , line or sound . For poetry does not serve the same end as ordinary speech 175 CHAPTER 7 ...
... speech is used as an aesthetic medium most of us need to make an inner adjustment which we do not need to make towards the aesthetic use of color , line or sound . For poetry does not serve the same end as ordinary speech 175 CHAPTER 7 ...
Stran 239
... speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post - war ' verse and the verse of the nineteenth and early twentieth centuries . In his introduction to the Selected Poems of Ezra Pound ...
... speech rhythm in poetic practice . This is the sharpest difference between the patterns of ' post - war ' verse and the verse of the nineteenth and early twentieth centuries . In his introduction to the Selected Poems of Ezra Pound ...
Stran 253
... speech . This need not necessarily be a speech colored with contemporary idiom , but it will be a reflection of the modes of thought and feeling which have called it into being . The verbal rhythms of Geron- tion , for instance , are ...
... speech . This need not necessarily be a speech colored with contemporary idiom , but it will be a reflection of the modes of thought and feeling which have called it into being . The verbal rhythms of Geron- tion , for instance , are ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats