Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 47
Stran 92
... symbolism , the unfamiliarity of many of the poet's literary associations , the private springs of certain images , and the lack of connectives between the various sets of symbols , all acted as barricades against the storming of the ...
... symbolism , the unfamiliarity of many of the poet's literary associations , the private springs of certain images , and the lack of connectives between the various sets of symbols , all acted as barricades against the storming of the ...
Stran 168
... symbol , like that of Leda , combines memories of concrete and ab- stract , the particular and the universal . It ... symbols fixed and rigid in their office ; they are full of a mysterious life by which they play both physical and ...
... symbol , like that of Leda , combines memories of concrete and ab- stract , the particular and the universal . It ... symbols fixed and rigid in their office ; they are full of a mysterious life by which they play both physical and ...
Stran 222
... symbols of his own , or even uses completely private associations in the interests of psychological truth . Much of the obscurity of the modern arises from this . For a private symbolism , even if it is consistent , has to be ...
... symbols of his own , or even uses completely private associations in the interests of psychological truth . Much of the obscurity of the modern arises from this . For a private symbolism , even if it is consistent , has to be ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats