Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 22
Stran 72
... That is not to say that the poetry is poor in thought , but rather that its mechanics compose a tone and feeling of lightness and brightness and airiness and oddness which are peculiar to him and a personal world of 72 POETRY MODERN.
... That is not to say that the poetry is poor in thought , but rather that its mechanics compose a tone and feeling of lightness and brightness and airiness and oddness which are peculiar to him and a personal world of 72 POETRY MODERN.
Stran 168
... tone or color , constantly enlarging the circle of attraction they cover , pulling a wider and wider amplitude of reference into the supple network of the poet's reverie . The first stanza prepares the reader for a vision . It is night ...
... tone or color , constantly enlarging the circle of attraction they cover , pulling a wider and wider amplitude of reference into the supple network of the poet's reverie . The first stanza prepares the reader for a vision . It is night ...
Stran 214
... tones is written in wave - crests breaking into foam on silvery sands . But those tones are ' knelled ' as well as ' spelled ' because these written records are sentences in the double sense of writ- ten characters and of judgments ...
... tones is written in wave - crests breaking into foam on silvery sands . But those tones are ' knelled ' as well as ' spelled ' because these written records are sentences in the double sense of writ- ten characters and of judgments ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats