Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 19
Stran 62
... turning to fresh tasks Could so forget his handiwork on which He spent himself , the labour of his axe , And leave ... turns to pink between the teeth . or marking the birches after an icestorm : * The Woodpile . They click upon ...
... turning to fresh tasks Could so forget his handiwork on which He spent himself , the labour of his axe , And leave ... turns to pink between the teeth . or marking the birches after an icestorm : * The Woodpile . They click upon ...
Stran 141
... turn of his vision in Ash Wednesday El- iot's poetry lost its exterior drama and became purely sub- jective . A liturgical symbolism replaced the realism of his earlier work and the poet's conflict with the outside world was submerged ...
... turn of his vision in Ash Wednesday El- iot's poetry lost its exterior drama and became purely sub- jective . A liturgical symbolism replaced the realism of his earlier work and the poet's conflict with the outside world was submerged ...
Stran 152
... Turning and turning in the widening gyre The falcon cannot hear the falconer ; Things fall apart ; the centre cannot hold ; Mere anarchy is loosed upon the world , The blood - dimmed tide is loosed , and everywhere The ceremony of ...
... Turning and turning in the widening gyre The falcon cannot hear the falconer ; Things fall apart ; the centre cannot hold ; Mere anarchy is loosed upon the world , The blood - dimmed tide is loosed , and everywhere The ceremony of ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats