Tolstoy; the Inner DramaRussell & Russell, 1968 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 33
Stran 142
... characters , his own conscious purpose did restrict and weaken his unconscious imaginative powers . The many characters therefore who reflect this divided consciousness were never self - contained . Obsessed by his own problem , he ...
... characters , his own conscious purpose did restrict and weaken his unconscious imaginative powers . The many characters therefore who reflect this divided consciousness were never self - contained . Obsessed by his own problem , he ...
Stran 148
... characters of Pierre and Prince Andrew . These characters develop only in the sense that Tol- stoy's own character developed , by stating ever more clearly and explicitly their problem and making more and more conscious attempts to ...
... characters of Pierre and Prince Andrew . These characters develop only in the sense that Tol- stoy's own character developed , by stating ever more clearly and explicitly their problem and making more and more conscious attempts to ...
Stran 296
... characters may be said to lack a distinctive ' individuality of language ' only in so far as they are all charged ... characters he would only admit that Falstaff possessed individuality , and he complained that he was a drunkard and a ...
... characters may be said to lack a distinctive ' individuality of language ' only in so far as they are all charged ... characters he would only admit that Falstaff possessed individuality , and he complained that he was a drunkard and a ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason reconcile relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana