Tolstoy; the Inner DramaRussell & Russell, 1968 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 19
Stran 25
... essential to estimate their nature . In Tolstoy their nature and interaction are violently revealed , and it is therefore in relation to this violent temperamental conflict that we think his life , his art , and his ideas may be most ...
... essential to estimate their nature . In Tolstoy their nature and interaction are violently revealed , and it is therefore in relation to this violent temperamental conflict that we think his life , his art , and his ideas may be most ...
Stran 297
... essential to the creation of an illusion of a reality transcending that of the ' real ' world of ordinary perception . Shakespeare's choice of highly placed individuals as the victims of his tragedies was dictated by the same necessity ...
... essential to the creation of an illusion of a reality transcending that of the ' real ' world of ordinary perception . Shakespeare's choice of highly placed individuals as the victims of his tragedies was dictated by the same necessity ...
Stran 298
... essentials to pay some consideration to the demands both of his aristocratic and his vulgar patrons . But Tolstoy could not distinguish the essential in Shakespeare from the non - essential , the vital ritual of a great artist from the ...
... essentials to pay some consideration to the demands both of his aristocratic and his vulgar patrons . But Tolstoy could not distinguish the essential in Shakespeare from the non - essential , the vital ritual of a great artist from the ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason reconcile relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana