Tolstoy; the Inner DramaRussell & Russell, 1968 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 62
Stran 141
... expression , and his creative range will depend upon the extent of the province over which he can preserve the balance between external and internal experience . Tolstoy could ... expressed with the eyes and almost S2 141 PRELUDE TO BATTLE.
... expression , and his creative range will depend upon the extent of the province over which he can preserve the balance between external and internal experience . Tolstoy could ... expressed with the eyes and almost S2 141 PRELUDE TO BATTLE.
Stran 255
... expressed in this story the identity between a mean , egotistic life and death , but once again , as in the case of Prince Andrew or as later in the case of Vasili in Master and Man whom the frost numbs into an acceptance of death , he ...
... expressed in this story the identity between a mean , egotistic life and death , but once again , as in the case of Prince Andrew or as later in the case of Vasili in Master and Man whom the frost numbs into an acceptance of death , he ...
Stran 291
... expressed that victory over life and death , that ultimate acceptance of things , for which he had been striving through most of his earlier symphonies . His first two symphonies , which Tolstoy considered more moral because more ...
... expressed that victory over life and death , that ultimate acceptance of things , for which he had been striving through most of his earlier symphonies . His first two symphonies , which Tolstoy considered more moral because more ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason reconcile relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana