Tolstoy; the Inner DramaRussell & Russell, 1968 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 43
Stran 276
... religious consciousness ' which Tolstoy demanded . Only by this fall from primitive grace can man come eventually to dis- cover ' a new relation to the world around him , ' and the finest modern minds have explored the paths which lead ...
... religious consciousness ' which Tolstoy demanded . Only by this fall from primitive grace can man come eventually to dis- cover ' a new relation to the world around him , ' and the finest modern minds have explored the paths which lead ...
Stran 290
... religious feeling ? I reply in the negative , for music in itself cannot transmit those feelings ; and therefore I ask myself next , since this work does not belong to the highest kind of religious art , has it the other characteristic ...
... religious feeling ? I reply in the negative , for music in itself cannot transmit those feelings ; and therefore I ask myself next , since this work does not belong to the highest kind of religious art , has it the other characteristic ...
Stran 292
... religious requirements which Tolstoy de- manded of art . And his insensibility to its significance can only be explained by his spiritual incapacity , an in- capacity which he sought to defend by the assumption that religious art must ...
... religious requirements which Tolstoy de- manded of art . And his insensibility to its significance can only be explained by his spiritual incapacity , an in- capacity which he sought to defend by the assumption that religious art must ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason reconcile relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana