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vanced in life, "He will," faid the critick, “De "buried in woollen."

He did not indeed long furvive that publication, nor long enjoy the increate of his preferments; for in 1758 he died.

Dyer is not a poet of bulk or dignity fufficient to require an elaborate criticifim. "Grongar Hill" is the happiest of his productions: it is not indeed very accurately written; but the fcenes which it difplays are fo pleafing, the images which they raise are fo welcome to the mind, and the reflections of the writer fo confonant to the general fenfe or experience of mankind, that when it is once read, it will be read again.

The idea of the "Ruins of Rome" ftrikes more, but pleases lefs, and the title raises greater expectation than the performance gratifies. Some patlages, however, are conceived with the mind of a poet; as when, in the neighbourhood of dilapidating edifices, he fays,

The Pilgrim oft

At dead of night, mid his orifon hears

Aghaft the voice of time, difparting tow'rs,
Tumbling all precipitate down dath'd,

Rattling around, loud thund'ring to the Moon,

Of "The Fleece," which never became popular, and is now univerfally neglected, I can fay little that is likely to recall it to attention. The woolcomber and the poet appear to me fuch discordant natures, that an attempt to bring them together is to couple the ferpent with the fowl. When Dyer, whofe mind was not unpoetical, has done his utmoft, by intereft.

ing his reader in our native commodity, by inter1perfing rural imagery, and incidental digreffions, by cloathing finall images in great words, and by all the writer's arts of delufion, the meanness naturally adhering, and the irreverence habitually annexed to trade and manufacture, fink him under infuperable oppreffion; and the difguft which blank verfe, encumbering and encumbered, fuperadds to an unpleaf ing fubject, foon repels the reader, however willing to be pleased.

Let me however honeftly report whatever may counterbalance this weight of cenfure. I have been told, that Akenfide, who, upon a poetical question, has a right to be heard, faid, "That he would regulate his opinion of the reigning tafte by the fate "of Dyer's Fleece;" for, if that were ill-received, he fhould not think it any longer reafonable to ex *pect fame from excellence.

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SHEN STONE.

WILLIAM SHENSTONE, the íon of Thomas Shenstone and Anne Pen, was born in November 1714, at the Leafowes in Hales-Owen, one of thofe infulated diftricts which, in the divifion of the kingdom, was appended, for fome reason not now discoverable, to a distant county; and which, though furrounded by Warwickshire and Worcestershire, belongs to Shropshire, though perhaps thirty miles diftant from any other part of it.

He learned to read of an old dame, whom his poem of the School-miftrefs" has delivered to pofterity; and foon received fuch delight from books, that he was always calling for fresh entertainment, and ex. pected that, when any of the family went to market, a new book should be brought him, which, when it came, was in fondnefs carried to bed and laid by him. It is faid, that, when his request had been neglected, his mother wrapped up a piece of wood of the fame form, and pacified him for the night.

As

As he grew older, he went for a while to the Grammar-school in Hales-Owen, and was placed afterwards with Mr. Crumpton, an eminent fchool-mafter at Solihul, where he diftinguifhed himfelf by the quickness of his progrefs.

When he was young (June 1724) he was deprived of his father, and foon after (August 1726) of his grandfather; and was, with his brother, who died afterwards unmarried, left to the care of his grandmother, who managed the eftate.

From school he was fent in 1732 to Pembroke College in Oxford, a fociety which for half a century has been eminent for English poetry and elegant literature. Here it appears that he found delight and advantage; for he continued his name in the book ten years, though he took no degree. After the first four years he put on the Civilian's gown, but without shewing any intention to engage in the profeffion.

About the time when he went to Oxford, the death of his grandmother devolved his affairs to the care of the reverend Mr. Dolman, of Brome in Staffordfhire, whofe attention he always mentioned with gratitude.

At Oxford he employed himself upon English poetry; and in 1737 published a fmall Mifcellany, with

out his name.

He then for a time wandered about, to acquaint himfelf with life, and was fometimes at London, fometimes at Bath, or any other place of publick refort; but he did not forget his poetry. He published in 1741 his "Judgement of Hercules," addreffed to

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Mr. Lyttelton, whose interest he supported with great warmth at an election: this was next year followed by the "School-miftrefs."

Mr. Dolman, to whofe care he was indebted for his ease and leifure, died in 1745, and the care of his own fortune now fell upon him. He tried to escape it a while, and lived at his houfe with his tenants, who were diftantly related; but, finding that imperfect poffeffion inconvenient, he took the whole eftate into his own hands, more to the improvement of its beauty, than the increase of its produce.

Now was excited his delight in rural pleasures, and his ambition of rural elegance: he began from this time to point his profpects, to diverfify his furface, to entangle his walks, and to wind his waters; which he did with fuch judgement and fuch fancy, as made his little domain the envy of the great, and the admiration of the fkilful; a place to be vifited by travellers, and copied by defigners. Whether to plant a walk in undulating curves, and to place a bench at every turn where there is an object to catch the view; to make water run where it will be heard, and to stagnate where it will be feen; to leave intervals where the eye will be pleased, and to thicken the plantation where there is fomething to be hidden; demands any great powers of mind, I will not enquire perhaps a fullen and furly fpeculator may think fuch performances rather the fport than the bufinefs of human reafon. But it must be at least confeffed, that to embellish the form of nature is an innocent amusement; and fome praise must be allowed, by the most fupercilious obferver, to him who

does

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