The Moral Picturesque: Studies in Hawthorne's FictionPurdue University Press, 1988 - 324 strani The book is a collection of fourteen essays by Abel on Hawthorne's fiction. The essays were published over a span of about thirty-five years in various scholarly journals. The author has revised some of these essays considerably and has added seven chapters to give the book continuity and unity. Abel studies two characteristics, besides the classic elegance of its style, that distinguish Hawthorne's fiction. One characteristic is Hawthorne's habitual use of a psychological approach to its subjects. He assumed an absolute of archetypal human experiences enacting a providentially directed drama of which he had an uncertain knowledge through sympathy with characters assuming primordial roles. The other characteristic was Hawthorne's use of the mode that he called "the moral picturesque." This was a mode of figuration of the archetypal experiences that his psychological preoccupations discovered. His sensibility penetrated more deeply than his often banal thought, and the picturesque mode enabled him to cognize perceptions that were not reducible to explicit statement. In all his work he was preoccupied with two concerns: how the ideal appears in the real world, and the distinction and relation of the sexes. He saw in both these concerns paradoxes of opposition and affinity. He dealt with these paradoxes, not as subjects of philosophical speculation, but as matters for artistic treatment. In fact, he thought that the problems of relation posed by these paradoxes were insoluble, and his sole concerns was to present them vividly and dramatically. |
Vsebina
Ghostland and the Jurisdiction of Veracity | 3 |
PART | 51 |
CHAPTER 11 | 85 |
Avtorske pravice | |
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actual American appear artist beauty Blithedale Romance Boston Brook Farm called chapter character child Chillingworth conception consciousness Coverdale Coverdale's criticism dark Dimmesdale Dimmesdale's distinct Donatello dream effect evil existence expression fact fancy figure Goodman Brown haunted mind Hawthorne's fiction heart Henry James Hester Prynne Holgrave Horatio Bridge House human idea ideal images imagination individual innocence intellect light literary living look magic man's mankind Marble Faun Margaret Fuller material meaning merely mind minister moral picturesque Nathaniel Hawthorne nature never Notebooks objects observation Old Manse passage passion Pearl perception persons Phoebe pink ribbon possible Press Priscilla Puritan Pyncheon reality remarked role says scaffold Scarlet Letter scene seemed sense sensibility Seven Gables shadow sketch Snow-Image society soul spiritual story suggest symbol sympathy things thorne thorne's thought tion traits transcendentalist truth Univ woman womanhood women York Young Goodman Young Goodman Brown Zenobia