The Art of Literary CriticismPaul Robert Lieder D. Appleton-Century-Crofts, 1959 - 689 strani |
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Zadetki 1–3 od 82
Stran 232
... imagination with its ideas ; so that by the pleasures of the imagination or fancy ( which I shall use promiscuously ) I here mean such as arise from visible objects , either when we have them actually in our view , or when we call up ...
... imagination with its ideas ; so that by the pleasures of the imagination or fancy ( which I shall use promiscuously ) I here mean such as arise from visible objects , either when we have them actually in our view , or when we call up ...
Stran 422
... imagination will distort or magnify the object , and convert it into the likeness of whatever is most proper to encourage the fear . " Our eyes are made the fools " of our other faculties . This is the universal law of the imagination ...
... imagination will distort or magnify the object , and convert it into the likeness of whatever is most proper to encourage the fear . " Our eyes are made the fools " of our other faculties . This is the universal law of the imagination ...
Stran 427
... imagination , not divested of that medium by means of literal truth or abstract reason . The painter of history might as well be required to represent the face of a person who has just trod upon a serpent with the still - life ...
... imagination , not divested of that medium by means of literal truth or abstract reason . The painter of history might as well be required to represent the face of a person who has just trod upon a serpent with the still - life ...
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action actors admiration Æneid Æschylus ancient appear Aristotle artist audience beauty Ben Jonson better blank verse called character comedy composition Crites criticism delight Demosthenes diction discourse doth dramatic Dryden English Epic Epic poetry Eugenius Euripides excellent expression eyes fancy fault feeling French genius give Glaucon greater Greek hath Homer honor Horace human imagination imitation Jonson judge judgment kind language learning less Lisideius literature Longinus Lysias matter mean metre mind nature never object observed passion perfect persons philosopher Plato Plautus play pleasure plot poem poesy poet poetic poetry praise produce prose Quintilian reader reason rhyme rhythm rules scene Sejanus sense Shakespeare Silent Woman Sophocles soul speak speech stage style sublime things thought tion Tragedy tragic translation true truth unity Virgil virtue whole words writ write