Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 strani Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Zadetki 1–3 od 79
Stran 290
... actors the wildest theories of a new art of acting , something like the manner of im- pressionist painting : imitation of nature at any price , and the distorted reproduc- tion - not of human beauty - but of bestial ugliness . " Perhaps ...
... actors the wildest theories of a new art of acting , something like the manner of im- pressionist painting : imitation of nature at any price , and the distorted reproduc- tion - not of human beauty - but of bestial ugliness . " Perhaps ...
Stran 580
... Art to Conceal Art In acting take Nature as your model - but never fall into the error of attempt- ing to present Nature in the stead of art . The speech of the stage should seem to be the speech ... art of acting is [ 580 ] ACTORS ON ACTING.
... Art to Conceal Art In acting take Nature as your model - but never fall into the error of attempt- ing to present Nature in the stead of art . The speech of the stage should seem to be the speech ... art of acting is [ 580 ] ACTORS ON ACTING.
Stran 671
... Art of Acting : What's Hecuba to Him ? " Translated by Harry G. Carlson . Tu- lane Drama Review , VI , Spring , 1962 . - . " The Art of Acting : The Actor as Phe- nomenon . " Translated by Harry G. Carlson . Tulane Drama Review , VI ...
... Art of Acting : What's Hecuba to Him ? " Translated by Harry G. Carlson . Tu- lane Drama Review , VI , Spring , 1962 . - . " The Art of Acting : The Actor as Phe- nomenon . " Translated by Harry G. Carlson . Tulane Drama Review , VI ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York