Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 strani Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Zadetki 1–3 od 92
Stran 160
... manner , or resume his earlier manner , but introduced an entirely new one , not hitherto known on your tragic stage , that is to say that he speaks and does not declaim , then my desire to become acquainted with him increased . At last ...
... manner , or resume his earlier manner , but introduced an entirely new one , not hitherto known on your tragic stage , that is to say that he speaks and does not declaim , then my desire to become acquainted with him increased . At last ...
Stran 345
... manner typical and pic- torial ' . " It is clear not only from this passage , but from the examples afterwards cited ... manner being typical , would he have it not to be recognizable ? When he objects to the manner being pictorial ...
... manner typical and pic- torial ' . " It is clear not only from this passage , but from the examples afterwards cited ... manner being typical , would he have it not to be recognizable ? When he objects to the manner being pictorial ...
Stran 407
... manner of starting a quarrel ; the manner of saying a long farewell . When these things are well and truly acted they seem simplicity itself . " But , " says the reader , like the student in Stanislavsky's book , " all this is obvious ...
... manner of starting a quarrel ; the manner of saying a long farewell . When these things are well and truly acted they seem simplicity itself . " But , " says the reader , like the student in Stanislavsky's book , " all this is obvious ...
Pogosti izrazi in povedi
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York