What is Art?W. Scott, 1899 - 237 strani |
Iz vsebine knjige
Zadetki 1–3 od 28
Stran xxxv
... position , and substituted his thoughts for mine wherever he considered it necessary to do so . For instance , where I speak of Christ going to the Cross for the sake of the truth He professed , the " Censor " substituted a statement ...
... position , and substituted his thoughts for mine wherever he considered it necessary to do so . For instance , where I speak of Christ going to the Cross for the sake of the truth He professed , the " Censor " substituted a statement ...
Stran 20
... position precisely the opposite of Kant's definition of the nature and sign of beauty . ) With reference to the manifestations of beauty , Baum- garten considers that the highest embodiment of beauty is seen by us in nature , and he ...
... position precisely the opposite of Kant's definition of the nature and sign of beauty . ) With reference to the manifestations of beauty , Baum- garten considers that the highest embodiment of beauty is seen by us in nature , and he ...
Stran 21
... position , recognise as the aim of art , not beauty , but goodness . Thus Sulzer ( 1720-1777 ) says that only that can be considered beautiful which contains goodness . According to his theory , the aim of the whole life of humanity is ...
... position , recognise as the aim of art , not beauty , but goodness . Thus Sulzer ( 1720-1777 ) says that only that can be considered beautiful which contains goodness . According to his theory , the aim of the whole life of humanity is ...
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accessible According acknowledged activity æsthetic appears artist beauty become called cause CHAPTER Christian Church circle classes clear common conception consequence considered consists continually counterfeits critics definition demand drawing EDITED educated effects evoke existing experienced expressed false feelings give hand highest human Idea imitation important impression incomprehensible infected instance interesting Introduction kind labour less lives matter meaning merely methods moral nature necessary Note novels object painting pass play pleases pleasure poems poetry Portrait position possible present productions question reason received relation religion religious perception represent schools SELECTED sense serve Siegfried society sounds speak stories subject-matter taste teaching theory things thoughts tion Tolstoy touch transmitted true truth understand union unite universal upper various whole wishes writers