What is Art?W. Scott, 1899 - 237 strani |
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Zadetki 1–3 od 18
Stran 38
... received by us , not having personal advantage for its object . The first of these definitions was accepted by Fichte , Schelling , Hegel , Schopenhauer , and the philosophising Frenchmen , Cousin , Jouffroy , Ravaisson , and others ...
... received by us , not having personal advantage for its object . The first of these definitions was accepted by Fichte , Schelling , Hegel , Schopenhauer , and the philosophising Frenchmen , Cousin , Jouffroy , Ravaisson , and others ...
Stran 111
... received from previous works of art , and does not infect them with feeling which the artist has himself experienced . A work founded on something borrowed , like Goethe's Faust for instance , may be very well executed and be full of ...
... received from previous works of art , and does not infect them with feeling which the artist has himself experienced . A work founded on something borrowed , like Goethe's Faust for instance , may be very well executed and be full of ...
Stran 118
... , Francis of Assisi , the authors of the Iliad and Odyssey , of folk - stories , legends , and folk - songs , many of whom not only received no remuneration for their work , but did not even attach their names to it ; and , on the other ...
... , Francis of Assisi , the authors of the Iliad and Odyssey , of folk - stories , legends , and folk - songs , many of whom not only received no remuneration for their work , but did not even attach their names to it ; and , on the other ...
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accessible According acknowledged activity æsthetic appears artist beauty become called cause CHAPTER Christian Church circle classes clear common conception consequence considered consists continually counterfeits critics definition demand drawing EDITED educated effects evoke existing experienced expressed false feelings give hand highest human Idea imitation important impression incomprehensible infected instance interesting Introduction kind labour less lives matter meaning merely methods moral nature necessary Note novels object painting pass play pleases pleasure poems poetry Portrait position possible present productions question reason received relation religion religious perception represent schools SELECTED sense serve Siegfried society sounds speak stories subject-matter taste teaching theory things thoughts tion Tolstoy touch transmitted true truth understand union unite universal upper various whole wishes writers