Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
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Zadetki 1–3 od 88
Stran 13
... kind of poetry in the true sense of the word — that is to say , call- ing something into existence that was not there before , so that every kind of artistic creation is poetry , and every artist is a poet . True . But all the same ...
... kind of poetry in the true sense of the word — that is to say , call- ing something into existence that was not there before , so that every kind of artistic creation is poetry , and every artist is a poet . True . But all the same ...
Stran 176
... kind from that of an ordinary spectator . The reader who reads a poem as history is sim- ply attending to an aspect of a poem . On the other hand , the remaining cases - Jones beside the painting telling of his grandfather , the ...
... kind from that of an ordinary spectator . The reader who reads a poem as history is sim- ply attending to an aspect of a poem . On the other hand , the remaining cases - Jones beside the painting telling of his grandfather , the ...
Stran 374
Kathleen Marie Higgins Robert C. Solomon. emotion of a certain kind . It follows that the means appropriate to its production will be not individual means but means of a certain kind : that is to say , means which are always in principle ...
Kathleen Marie Higgins Robert C. Solomon. emotion of a certain kind . It follows that the means appropriate to its production will be not individual means but means of a certain kind : that is to say , means which are always in principle ...
Vsebina
PART I | 5 |
Chapter | 8 |
Plato The Form of Beauty | 11 |
Avtorske pravice | |
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aesthetic experience affecting American Anne Truitt appearance appreciation argues Aristotle artist artworks artworld attitude audience authentic authentic performance beauty become Brillo box called character Chicano Chicano art claim color concept consider contemporary critic culture Danto destroyed Duchamp emotion ence essay example exhibit expression fact feel film genius George Dickie hence Holocaust human idea images imagination imitation Immanuel Kant interest Japanese judgment of taste kind kitsch look means ment mind Mona Lisa mono no aware moral museum National nature object obscene painting particular performance perhaps person philosophy piece Plato play pleasure poem poet poetry political pornography postmodern present produce public sculpture question racial reality reason representation rock music Salman Rushdie sense sexual social Socrates soul status theory thetic things thought tion tradition tragedy true truth understanding University Vietnam Veterans Memorial words