The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics

abstract achieve actual æsthetic already appeal architecture artist baroque beauty become begins Blake called century certain Cézanne classical colour common Constable course create criticism decorative defined definite described direct distinction distinguish drawing effect element emotion English essential evident example existence expression fact feeling figure function Gauguin genius give given Gothic Gothic art Greek hand human ideal imagination imply influence instinctive intellectual interest Italian Italy kind landscape less light living look manner mass masters material means ment merely mind movement Museum nature never object original painter painting perfect perhaps period Persian personality picture portrait primitive principles question realized relation religion religious Renaissance representative rococo romantic Rubens sculpture sense sensibility significant spirit stone style things tion tradition true ture values vision whole