The Anatomy of Art: An Introduction to the Problems of Art and AestheticsDodd, Mead, 1932 - 224 strani |
Iz vsebine knjige
Zadetki 1–3 od 22
Stran 25
... essential difference between art and sentimentality : sentimentality is a release , but also a loosening , a relaxing of the emotions ; art is a re- lease , but also a bracing . Art is the economy of feeling ; it is emotion cultivating ...
... essential difference between art and sentimentality : sentimentality is a release , but also a loosening , a relaxing of the emotions ; art is a re- lease , but also a bracing . Art is the economy of feeling ; it is emotion cultivating ...
Stran 72
... essential connecting link , between appearance and reality . That is perhaps why it cannot be grandi- ose , because man can only be grandiose when he is expressing his own sense of glory , or when he is expressing his own sense of ...
... essential connecting link , between appearance and reality . That is perhaps why it cannot be grandi- ose , because man can only be grandiose when he is expressing his own sense of glory , or when he is expressing his own sense of ...
Stran 179
... essential mobility of tempera- ment , the inquietude , that distinguished his fore- fathers ; but he is hemmed in , repressed . So , late in the day , he takes to plastic art ; and the art he creates is a distinctive art . It has not ...
... essential mobility of tempera- ment , the inquietude , that distinguished his fore- fathers ; but he is hemmed in , repressed . So , late in the day , he takes to plastic art ; and the art he creates is a distinctive art . It has not ...
Vsebina
3 DEFINITION OF BEAUTY | 3 |
9 FORM AND EXPRESSION | 9 |
27 UNITY | 27 |
Avtorske pravice | |
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Druge izdaje - Prikaži vse
The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Edward Read Predogled ni na voljo - 2008 |
The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Edward Read, Sir,Herbert Read Predogled ni na voljo - 2013 |
The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Read Predogled ni na voljo - 2013 |
Pogosti izrazi in povedi
abstract actual æsthetic æsthetic value Albert Museum architecture artist Baroque art baroque style beauty Blake Brueghel Bushman Byzantine art called canvas century B. C. Cézanne Chinese colour Constable criticism cubist decorative definite Delacroix distinction drawing Egypt Egyptian El Greco element emotion English Eric Gill essential expression fantasy feeling figure Flemish Franz Anton Bustelli Gainsborough Gauguin genius geometrical Gogh Gothic art Greek harmony Henri Rousseau Henry Moore hieratic history of art human ideal imagination imply instinctive intellectual Italian kind Klee landscape painting living lyricism Manet mass material Matisse means ment merely mind Morris nature never object painter peasant art perhaps period Persian Picasso picture Piero della Francesca plastic poetry portrait pottery primitive realism realized Reginald Blomfield religion religious Renaissance Renoir represent rococo Romanesque art romantic Rubens Ruskin sculpture sense sensibility significant spirit stone things tion tive tradition ture Victoria and Albert vision word