The Anatomy of Art: An Introduction to the Problems of Art and AestheticsDodd, Mead, 1932 - 224 strani |
Iz vsebine knjige
Zadetki 1–3 od 38
Stran 99
... painter like Van Eyck or Memlinc does not , like his Italian compeers , ab- stract types from the actual or natural world until he reaches a highest common denominator which is the ideal . He boldly takes the typical in the sense of the ...
... painter like Van Eyck or Memlinc does not , like his Italian compeers , ab- stract types from the actual or natural world until he reaches a highest common denominator which is the ideal . He boldly takes the typical in the sense of the ...
Stran 103
... painter , we should not question his suprem- acy ; having fifteen hundred , we are not satisfied because the last of them is not perfect . All this is perhaps obvious enough , but it is necessary to state the obvious in order to deny it ...
... painter , we should not question his suprem- acy ; having fifteen hundred , we are not satisfied because the last of them is not perfect . All this is perhaps obvious enough , but it is necessary to state the obvious in order to deny it ...
Stran 211
... painter or a sculptor is . He is chiefly con- cerned with the physical utility of the thing he designs , whereas the sculptor or painter has gen- erally little physical utility to consider and has to concentrate his mind on purely ...
... painter or a sculptor is . He is chiefly con- cerned with the physical utility of the thing he designs , whereas the sculptor or painter has gen- erally little physical utility to consider and has to concentrate his mind on purely ...
Vsebina
3 DEFINITION OF BEAUTY | 3 |
9 FORM AND EXPRESSION | 9 |
27 UNITY | 27 |
Avtorske pravice | |
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The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Edward Read Predogled ni na voljo - 2008 |
The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Edward Read, Sir,Herbert Read Predogled ni na voljo - 2013 |
The Anatomy of Art: An Introduction to the Problems of Art and Aesthetics Herbert Read Predogled ni na voljo - 2013 |
Pogosti izrazi in povedi
abstract actual æsthetic æsthetic value Albert Museum architecture artist Baroque art baroque style beauty Blake Brueghel Bushman Byzantine art called canvas century B. C. Cézanne Chinese colour Constable criticism cubist decorative definite Delacroix distinction drawing Egypt Egyptian El Greco element emotion English Eric Gill essential expression fantasy feeling figure Flemish Franz Anton Bustelli Gainsborough Gauguin genius geometrical Gogh Gothic art Greek harmony Henri Rousseau Henry Moore hieratic history of art human ideal imagination imply instinctive intellectual Italian kind Klee landscape painting living lyricism Manet mass material Matisse means ment merely mind Morris nature never object painter peasant art perhaps period Persian Picasso picture Piero della Francesca plastic poetry portrait pottery primitive realism realized Reginald Blomfield religion religious Renaissance Renoir represent rococo Romanesque art romantic Rubens Ruskin sculpture sense sensibility significant spirit stone things tion tive tradition ture Victoria and Albert vision word