Encyclopedia of Aesthetics, Količina 4Oxford University Press, 1998 - 572 strani "Are things ugly or are they just not beautiful? The answer to this and many other questions can be found in this encyclopedia, the first large-scale comprehensive English-language reference on aesthetics and destined to be a classic in the field. Drawing from experts in the areas of philosophy, art, history, psychology, feminist theory, legal theory, and many more, the encyclopedia presents 600 signed essays alphabetically arranged. Most entries include a headnote clarifying the topic. Entries range from the philosophical essay on ugliness, to the more reality-based article on the impact of AIDS on the arts. Comprehensive coverage includes key figures, concepts, periods, theories, and movements in the history of aesthetics."--"Outstanding Reference Sources: the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Stran 109
... painting . A natural way of explaining this realism - call it a theory of realism as resemblance — is to say that a painting is realistic in virtue of looking like what it is a painting of . A natural objection to this explanation is ...
... painting . A natural way of explaining this realism - call it a theory of realism as resemblance — is to say that a painting is realistic in virtue of looking like what it is a painting of . A natural objection to this explanation is ...
Stran 109
... painting . A natural way of explaining this realism - call it a theory of realism as resemblance — is to say that a painting is realistic in virtue of looking like what it is a painting of . A natural objection to this explanation is ...
... painting . A natural way of explaining this realism - call it a theory of realism as resemblance — is to say that a painting is realistic in virtue of looking like what it is a painting of . A natural objection to this explanation is ...
Stran 424
... painting and poetry when , in his Moralia ( 17f - 18a ) , he suggests that a young man studying poetry be given " a general description of the poetic art as an imitative art and faculty analogous to painting . " The assumption that ...
... painting and poetry when , in his Moralia ( 17f - 18a ) , he suggests that a young man studying poetry be given " a general description of the poetic art as an imitative art and faculty analogous to painting . " The assumption that ...
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aesthetic Alois Riegl analysis architecture argued Aristotle artistic artworks audience beauty BIBLIOGRAPHY Brillo Box Cambridge century claim classical color concept contemporary context critical Critique culture dance discourse edited emotional ence essay example experience expression formal Freud function genre Gottfried Semper Greek Hegel human ibid idea ideal individual interpretation judgments Kant language literary literature London meaning ment modern moral nature notion object painter painting Paris perception philosophical Plato pleasure Plotinus poetic poetry political Pop art postmodern postmodern dance poststructuralism practice primitivism realism reality relation representation rhetoric rock music role Romantic Romantic poetry Romanticism Ruskin Russian Russian Formalism Schiller Schlegel Schmarsow sculpture semiotics sense significant Situationist social Socialist Realism society structure studies style stylistic sublime Suprematism symbol taste television theater theorists theory thetic things tion tradition tragedy Translated truth ture ugliness writing York