Encyclopedia of Aesthetics, Količina 4Oxford University Press, 1998 - 572 strani "Are things ugly or are they just not beautiful? The answer to this and many other questions can be found in this encyclopedia, the first large-scale comprehensive English-language reference on aesthetics and destined to be a classic in the field. Drawing from experts in the areas of philosophy, art, history, psychology, feminist theory, legal theory, and many more, the encyclopedia presents 600 signed essays alphabetically arranged. Most entries include a headnote clarifying the topic. Entries range from the philosophical essay on ugliness, to the more reality-based article on the impact of AIDS on the arts. Comprehensive coverage includes key figures, concepts, periods, theories, and movements in the history of aesthetics."--"Outstanding Reference Sources: the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Stran 8
... poetry , in a book concerned primarily with linguistics and psychology rather than aesthetics , Ludwig Wittgenstein not only succinctly formulates the basic aesthetic question regarding poetry , but also expresses the perpetual fascina ...
... poetry , in a book concerned primarily with linguistics and psychology rather than aesthetics , Ludwig Wittgenstein not only succinctly formulates the basic aesthetic question regarding poetry , but also expresses the perpetual fascina ...
Stran 234
... poetry is indeed so corrupt , Schlegel thinks , that its only law is to be lawless . Schlegel maintained that modern poetry is bankrupt because its quest for effects would eventually ex- haust itself . Only the perception of beauty ...
... poetry is indeed so corrupt , Schlegel thinks , that its only law is to be lawless . Schlegel maintained that modern poetry is bankrupt because its quest for effects would eventually ex- haust itself . Only the perception of beauty ...
Stran 286
... poetry as an art of imitation appeals explicitly to Aristotle , but the influence of Horace and Julius Caesar Scaliger can be seen in his gloss of poetic imitation as " a speaking picture - with this end , to teach and delight ...
... poetry as an art of imitation appeals explicitly to Aristotle , but the influence of Horace and Julius Caesar Scaliger can be seen in his gloss of poetic imitation as " a speaking picture - with this end , to teach and delight ...
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aesthetic Alois Riegl analysis architecture argued Aristotle artistic artworks audience beauty BIBLIOGRAPHY Brillo Box Cambridge century claim classical color concept contemporary context critical Critique culture dance discourse edited emotional ence essay example experience expression formal Freud function genre Gottfried Semper Greek Hegel human ibid idea ideal individual interpretation judgments Kant language literary literature London meaning ment modern moral nature notion object painter painting Paris perception philosophical Plato pleasure Plotinus poetic poetry political Pop art postmodern postmodern dance poststructuralism practice primitivism realism reality relation representation rhetoric rock music role Romantic Romantic poetry Romanticism Ruskin Russian Russian Formalism Schiller Schlegel Schmarsow sculpture semiotics sense significant Situationist social Socialist Realism society structure studies style stylistic sublime Suprematism symbol taste television theater theorists theory thetic things tion tradition tragedy Translated truth ture ugliness writing York