Encyclopedia of Aesthetics, Količina 4Oxford University Press, 1998 - 572 strani "Are things ugly or are they just not beautiful? The answer to this and many other questions can be found in this encyclopedia, the first large-scale comprehensive English-language reference on aesthetics and destined to be a classic in the field. Drawing from experts in the areas of philosophy, art, history, psychology, feminist theory, legal theory, and many more, the encyclopedia presents 600 signed essays alphabetically arranged. Most entries include a headnote clarifying the topic. Entries range from the philosophical essay on ugliness, to the more reality-based article on the impact of AIDS on the arts. Comprehensive coverage includes key figures, concepts, periods, theories, and movements in the history of aesthetics."--"Outstanding Reference Sources: the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Stran 194
... practice of painting was much more muted . He began with the study of paintings , and he drew every day of his life , whereas he had no such direct connection with building . Ruskin saw considerably more of painters than of architects ...
... practice of painting was much more muted . He began with the study of paintings , and he drew every day of his life , whereas he had no such direct connection with building . Ruskin saw considerably more of painters than of architects ...
Stran 393
... practice , it is increas- ingly difficult to draw precise lines distinguishing artworks from theory . Given the proliferation of a wide diversity of theories of art claiming an explicit basis in practice and / or in sui generis forms of ...
... practice , it is increas- ingly difficult to draw precise lines distinguishing artworks from theory . Given the proliferation of a wide diversity of theories of art claiming an explicit basis in practice and / or in sui generis forms of ...
Stran 455
... practice " ) ( ibid . ) . He argues that a " genuine " aesthetic practice can express a " humane response " and " human meanings and values " ( ibid . , p . 151 ) by registering a protest against the general instrumentalization and ...
... practice " ) ( ibid . ) . He argues that a " genuine " aesthetic practice can express a " humane response " and " human meanings and values " ( ibid . , p . 151 ) by registering a protest against the general instrumentalization and ...
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aesthetic Alois Riegl analysis architecture argued Aristotle artistic artworks audience beauty BIBLIOGRAPHY Brillo Box Cambridge century claim classical color concept contemporary context critical Critique culture dance discourse edited emotional ence essay example experience expression formal Freud function genre Gottfried Semper Greek Hegel human ibid idea ideal individual interpretation judgments Kant language literary literature London meaning ment modern moral nature notion object painter painting Paris perception philosophical Plato pleasure Plotinus poetic poetry political Pop art postmodern postmodern dance poststructuralism practice primitivism realism reality relation representation rhetoric rock music role Romantic Romantic poetry Romanticism Ruskin Russian Russian Formalism Schiller Schlegel Schmarsow sculpture semiotics sense significant Situationist social Socialist Realism society structure studies style stylistic sublime Suprematism symbol taste television theater theorists theory thetic things tion tradition tragedy Translated truth ture ugliness writing York