Encyclopedia of Aesthetics, Količina 4Oxford University Press, 1998 - 572 strani "Are things ugly or are they just not beautiful? The answer to this and many other questions can be found in this encyclopedia, the first large-scale comprehensive English-language reference on aesthetics and destined to be a classic in the field. Drawing from experts in the areas of philosophy, art, history, psychology, feminist theory, legal theory, and many more, the encyclopedia presents 600 signed essays alphabetically arranged. Most entries include a headnote clarifying the topic. Entries range from the philosophical essay on ugliness, to the more reality-based article on the impact of AIDS on the arts. Comprehensive coverage includes key figures, concepts, periods, theories, and movements in the history of aesthetics."--"Outstanding Reference Sources: the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Zadetki 1–3 od 56
Stran 141
... represent . The notoriety of Goodman's repudiation of perceptual theories of depiction has , unfortunately , over- shadowed his more abiding insight that an analysis of pic- tures can usefully be modeled on an analysis of linguistic ...
... represent . The notoriety of Goodman's repudiation of perceptual theories of depiction has , unfortunately , over- shadowed his more abiding insight that an analysis of pic- tures can usefully be modeled on an analysis of linguistic ...
Stran 142
... represent by convention at the other . Like too many attempts at compromise , however , Gombrich's pictorial dualism avoids the disadvantages of neither theory . By separating conceptual pictures ( Cubism , the split style ) from ...
... represent by convention at the other . Like too many attempts at compromise , however , Gombrich's pictorial dualism avoids the disadvantages of neither theory . By separating conceptual pictures ( Cubism , the split style ) from ...
Stran 381
... represent aspects of human experi- ence that are not immediately apparent in appearances pre- sented directly to the senses . If we cannot always describe what art represents , this might be because the aspects of hu- man experience ...
... represent aspects of human experi- ence that are not immediately apparent in appearances pre- sented directly to the senses . If we cannot always describe what art represents , this might be because the aspects of hu- man experience ...
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aesthetic Alois Riegl analysis architecture argued Aristotle artistic artworks audience beauty BIBLIOGRAPHY Brillo Box Cambridge century claim classical color concept contemporary context critical Critique culture dance discourse edited emotional ence essay example experience expression formal Freud function genre Gottfried Semper Greek Hegel human ibid idea ideal individual interpretation judgments Kant language literary literature London meaning ment modern moral nature notion object painter painting Paris perception philosophical Plato pleasure Plotinus poetic poetry political Pop art postmodern postmodern dance poststructuralism practice primitivism realism reality relation representation rhetoric rock music role Romantic Romantic poetry Romanticism Ruskin Russian Russian Formalism Schiller Schlegel Schmarsow sculpture semiotics sense significant Situationist social Socialist Realism society structure studies style stylistic sublime Suprematism symbol taste television theater theorists theory thetic things tion tradition tragedy Translated truth ture ugliness writing York