Encyclopedia of Aesthetics, Količina 4Oxford University Press, 1998 - 572 strani "Are things ugly or are they just not beautiful? The answer to this and many other questions can be found in this encyclopedia, the first large-scale comprehensive English-language reference on aesthetics and destined to be a classic in the field. Drawing from experts in the areas of philosophy, art, history, psychology, feminist theory, legal theory, and many more, the encyclopedia presents 600 signed essays alphabetically arranged. Most entries include a headnote clarifying the topic. Entries range from the philosophical essay on ugliness, to the more reality-based article on the impact of AIDS on the arts. Comprehensive coverage includes key figures, concepts, periods, theories, and movements in the history of aesthetics."--"Outstanding Reference Sources: the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Zadetki 1–3 od 81
Stran 323
... sublime in the sensible world , the difficulty lies in not hypostatizing the idea of the sublime . One must preserve absolutely the operational and critical sense of the concept historically at- tributed to it . The sublime remains a ...
... sublime in the sensible world , the difficulty lies in not hypostatizing the idea of the sublime . One must preserve absolutely the operational and critical sense of the concept historically at- tributed to it . The sublime remains a ...
Stran 331
... sublime for directing attention to the tension between logical descriptions and individual inten- tion . In such an account , the importance of the sublime lies less in the notion of challenging or ... sublime SUBLIME : Feminine Sublime 331.
... sublime for directing attention to the tension between logical descriptions and individual inten- tion . In such an account , the importance of the sublime lies less in the notion of challenging or ... sublime SUBLIME : Feminine Sublime 331.
Stran 333
... sublime poetry was effectively closed to women . Dorothy Wordsworth , or any woman of her period , could not have written a poem such as " Tintern Abbey , " with its cele- bration of " A presence that ... SUBLIME : Feminine Sublime 333.
... sublime poetry was effectively closed to women . Dorothy Wordsworth , or any woman of her period , could not have written a poem such as " Tintern Abbey , " with its cele- bration of " A presence that ... SUBLIME : Feminine Sublime 333.
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aesthetic Alois Riegl analysis architecture argued Aristotle artistic artworks audience beauty BIBLIOGRAPHY Brillo Box Cambridge century claim classical color concept contemporary context critical Critique culture dance discourse edited emotional ence essay example experience expression formal Freud function genre Gottfried Semper Greek Hegel human ibid idea ideal individual interpretation judgments Kant language literary literature London meaning ment modern moral nature notion object painter painting Paris perception philosophical Plato pleasure Plotinus poetic poetry political Pop art postmodern postmodern dance poststructuralism practice primitivism realism reality relation representation rhetoric rock music role Romantic Romantic poetry Romanticism Ruskin Russian Russian Formalism Schiller Schlegel Schmarsow sculpture semiotics sense significant Situationist social Socialist Realism society structure studies style stylistic sublime Suprematism symbol taste television theater theorists theory thetic things tion tradition tragedy Translated truth ture ugliness writing York