The Works of Samuel Johnson, LL. D.: With an Essay on His Life and GeniusHarper, 1857 |
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Stran xxviii
... imagination , alive to the first objects of nature which has been objected to Johnson , was first and of art . He reaches the sublime without assumed in the Rambler . His Dictionary was any apparent effort . When he tells us , “ If we ...
... imagination , alive to the first objects of nature which has been objected to Johnson , was first and of art . He reaches the sublime without assumed in the Rambler . His Dictionary was any apparent effort . When he tells us , “ If we ...
Stran xxix
... imagination ; and Rasselas , with all its splendour of eloquence , ex- hibits a gloomy picture . It should , however , be remembered , that the world has known the weeping as well as the laughing philosopher . The Dictionary does not ...
... imagination ; and Rasselas , with all its splendour of eloquence , ex- hibits a gloomy picture . It should , however , be remembered , that the world has known the weeping as well as the laughing philosopher . The Dictionary does not ...
Stran xxxv
... imagination 90 The pauses in English poetry adjusted 91 The conduct of patronage , an allegory 92 The accommodation of sound to sense , often chimerical 131 132 man 133 The miseries of a beauty defaced • · • 134 Idleness an anxious and ...
... imagination 90 The pauses in English poetry adjusted 91 The conduct of patronage , an allegory 92 The accommodation of sound to sense , often chimerical 131 132 man 133 The miseries of a beauty defaced • · • 134 Idleness an anxious and ...
Stran xxxv
... IMAGINATION . The Vision of Theodore the Hermit of Tene- riffe The Fountains , a Fairy Tale · • · · Imitation of the style of **** Burlesque of some Lines of Lopez de Vega 456 Translation of some Lines at the end of Baretti's Easy ...
... IMAGINATION . The Vision of Theodore the Hermit of Tene- riffe The Fountains , a Fairy Tale · • · · Imitation of the style of **** Burlesque of some Lines of Lopez de Vega 456 Translation of some Lines at the end of Baretti's Easy ...
Stran xxxv
... imagination , alive to the first objects of nature and of art . He reaches the sublime without any apparent effort . When he tells us , " If we consider the fixed stars as so many oceans of flame , that are each of them attended with a ...
... imagination , alive to the first objects of nature and of art . He reaches the sublime without any apparent effort . When he tells us , " If we consider the fixed stars as so many oceans of flame , that are each of them attended with a ...
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acquaintance amusements ance appearance ardour beauty censure common considered contempt conversation curiosity danger delight desire dignity dili discover DRYDEN easily elegance eminent endeavour envy equally excellence expected eyes fame fancy favour fear felicity flattered folly fortune frequently gain gayety genius give gratify happiness heart honour hope hopes and fears hour human imagination inclined indulge inquiry Johnson kind knowledge labour ladies learning lence less live look mankind marriage ment mind miscarriages misery mortification nature necessary neglect nerally ness never nity observed once opinion ourselves OVID pain panegyric passed passions perhaps perpetual pleased pleasure portunity praise quire racter RAMBLER reason received regard riches SAMUEL JOHNSON SATURDAY scarcely seldom sentiments sion sometimes soon sorrow suffer surely tain tence thing thought Thrasybulus tion TUESDAY tural vanity Virgil virtue wish writer