Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 82
Stran 246
... beauty was the supreme law of the imitative arts . This being established , it follows necessarily that whatever else these arts may aim at must give way completely if incompatible with beauty , and , if compatible , must at least be ...
... beauty was the supreme law of the imitative arts . This being established , it follows necessarily that whatever else these arts may aim at must give way completely if incompatible with beauty , and , if compatible , must at least be ...
Stran 361
... beauty arises only when what is being conceived is a universal form emerging through concrete diversity or " multëity . " On the other hand , beauty is not truth , as it was for Keats . Beauty is a way of approaching the true and the ...
... beauty arises only when what is being conceived is a universal form emerging through concrete diversity or " multëity . " On the other hand , beauty is not truth , as it was for Keats . Beauty is a way of approaching the true and the ...
Stran 370
... beauty of various insects , as of the dragon - fly , the fangless snake , & c . , has Natural History made , by exploding the terror or aversion that had been connected with them . The most general definition of beauty , there- fore ...
... beauty of various insects , as of the dragon - fly , the fangless snake , & c . , has Natural History made , by exploding the terror or aversion that had been connected with them . The most general definition of beauty , there- fore ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing