Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 53
Stran 106
... believe , with Scaliger , that no philosopher's precepts can sooner make you an honest man than the reading of Virgil ; to believe , with Clauserus , the translator of Cor- nutus , that it pleased the heavenly Deity , by Hesiod and ...
... believe , with Scaliger , that no philosopher's precepts can sooner make you an honest man than the reading of Virgil ; to believe , with Clauserus , the translator of Cor- nutus , that it pleased the heavenly Deity , by Hesiod and ...
Stran 117
... believe that the first scene is Paris , we cannot be expected to believe that the same stage , which we have been watching all the time , is now Rouen . Nor can we , when we are sitting for two or three hours , be expected to believe ...
... believe that the first scene is Paris , we cannot be expected to believe that the same stage , which we have been watching all the time , is now Rouen . Nor can we , when we are sitting for two or three hours , be expected to believe ...
Stran 566
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing