Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 88
Stran 23
... character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence ...
... character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence ...
Stran 272
... character portrayal has always been a dominant concern of the writer himself . Finally , in the portraying of character itself , not the general , the " type , " so much as the unique and the individual have been the focus of attention ...
... character portrayal has always been a dominant concern of the writer himself . Finally , in the portraying of character itself , not the general , the " type , " so much as the unique and the individual have been the focus of attention ...
Stran 289
... character , and their modifying of each other - constitute a primary aspect of concrete truth . Art , in its highest ... character . Like Coleridge , or like the youthful Keats underlining passages in Shakespeare , Hazlitt had the ...
... character , and their modifying of each other - constitute a primary aspect of concrete truth . Art , in its highest ... character . Like Coleridge , or like the youthful Keats underlining passages in Shakespeare , Hazlitt had the ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing