Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 61
Stran 204
... considered . " If Johnson presented the classical charge against the " metaphysical " poets , he also offered at least the basis for the classical defense of them . He did not , it is true , view them as ideal models . His concern was ...
... considered . " If Johnson presented the classical charge against the " metaphysical " poets , he also offered at least the basis for the classical defense of them . He did not , it is true , view them as ideal models . His concern was ...
Stran 218
... considered as wit which is at once natural and new , that which , though not obvious , is , upon its first production , acknowl- edged to be just ; if it be that which he that never found it wonders how he missed , to wit of this kind ...
... considered as wit which is at once natural and new , that which , though not obvious , is , upon its first production , acknowl- edged to be just ; if it be that which he that never found it wonders how he missed , to wit of this kind ...
Stran 238
... considered ; and I hope not to be looked on as an enemy to his name , if I confess that I contem- plate it with less pleasure than his life . His ode on Spring has something poetical , both in the language and the thought ; but the ...
... considered ; and I hope not to be looked on as an enemy to his name , if I confess that I contem- plate it with less pleasure than his life . His ode on Spring has something poetical , both in the language and the thought ; but the ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing