Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 84
Stran 18
... emotion ; and it does the first in order to ac- complish the second . It is , in short , a controlling and directing of emotion . Whereas Plato , in the Republic , had adversely criticized poetry because it " feeds and waters the ...
... emotion ; and it does the first in order to ac- complish the second . It is , in short , a controlling and directing of emotion . Whereas Plato , in the Republic , had adversely criticized poetry because it " feeds and waters the ...
Stran 529
... emotion , but an escape from emotion ; it is not the expression of personality , but an escape from personality . But , of course , only those who have personality and emotions know what it means to want to escape from these things ...
... emotion , but an escape from emotion ; it is not the expression of personality , but an escape from personality . But , of course , only those who have personality and emotions know what it means to want to escape from these things ...
Stran 583
... emotion , there are senses in which a fact about the emotion , not about our feelings about it , is meant . Sincere emotions , we say , are genuine or authentic , as opposed to spurious emotions , and the several senses which we may ...
... emotion , there are senses in which a fact about the emotion , not about our feelings about it , is meant . Sincere emotions , we say , are genuine or authentic , as opposed to spurious emotions , and the several senses which we may ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing