Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 66
... hand , those who are apt in encomium are the least pas- sionate . 4. If , on the other hand , Caecilius thought that passion never contributes at all to sublimity , and if it was for this reason that he did not deem it worthy of mention ...
... hand , those who are apt in encomium are the least pas- sionate . 4. If , on the other hand , Caecilius thought that passion never contributes at all to sublimity , and if it was for this reason that he did not deem it worthy of mention ...
Stran 362
... hand , is the direct insight into the universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which ...
... hand , is the direct insight into the universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which ...
Stran 371
... hand , and on the other hand there is the object . The process of perceiving is impos- sible without both , and therefore involves a bringing to- gether , or unification , of two different things ( the spec- tator and the object ) into ...
... hand , and on the other hand there is the object . The process of perceiving is impos- sible without both , and therefore involves a bringing to- gether , or unification , of two different things ( the spec- tator and the object ) into ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing