Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 73
Stran 285
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
Stran 441
... living , reacting creature . It thus ministers to that sincerity , to that final honesty of character , in which the mind and the heart are one - in which the heart follows and completes the dictates of the mind , and knowledge ...
... living , reacting creature . It thus ministers to that sincerity , to that final honesty of character , in which the mind and the heart are one - in which the heart follows and completes the dictates of the mind , and knowledge ...
Stran 444
... living identification , we re - create and feel within ourselves the emerging resolution and unity of form that leads out , guides , and gives meaning to its various parts , thus permitting them to fulfill themselves by dawning into " a ...
... living identification , we re - create and feel within ourselves the emerging resolution and unity of form that leads out , guides , and gives meaning to its various parts , thus permitting them to fulfill themselves by dawning into " a ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing