Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 77
Stran 245
... look at you ? " says an old epigram- matist to a misshapen man . Many a modern artist would say , " No matter how misshapen you are , I will paint you . Though people may not like to look at you , they will be glad to look at my picture ...
... look at you ? " says an old epigram- matist to a misshapen man . Many a modern artist would say , " No matter how misshapen you are , I will paint you . Though people may not like to look at you , they will be glad to look at my picture ...
Stran 327
... look in different cir- cumstances may convey a totally different ex- pression . Thus the eye turned round to look at you without turning the head indicates generally slyness or suspicion : but if this is combined with large expanded eye ...
... look in different cir- cumstances may convey a totally different ex- pression . Thus the eye turned round to look at you without turning the head indicates generally slyness or suspicion : but if this is combined with large expanded eye ...
Stran 502
... look at the people who have made it - a portrait , for instance , of the sixteenth century , say the stern powerful face of an English archbishop or mar- tyr . Nothing exists except through some indi- vidual man ; it is this individual ...
... look at the people who have made it - a portrait , for instance , of the sixteenth century , say the stern powerful face of an English archbishop or mar- tyr . Nothing exists except through some indi- vidual man ; it is this individual ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing