Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 83
Stran 1
... original " in any number of ways . For example , to react counter to the truth in every respect is , after all , a form of " originality . " On the other hand , if " original " is equated with " unusual " or " rare , " nothing is more ...
... original " in any number of ways . For example , to react counter to the truth in every respect is , after all , a form of " originality . " On the other hand , if " original " is equated with " unusual " or " rare , " nothing is more ...
Stran 241
... Original Composition MITATIONS are of two kinds : one of nature , I one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious inquiry of what is , or is not ...
... Original Composition MITATIONS are of two kinds : one of nature , I one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious inquiry of what is , or is not ...
Stran 395
... original . Thus , if an animal is carved in profile onto a seal , not only are the materials different- metal instead of bone , flesh , and skin , and a two- dimensional plane instead of three dimensions -- but the form also ( except ...
... original . Thus , if an animal is carved in profile onto a seal , not only are the materials different- metal instead of bone , flesh , and skin , and a two- dimensional plane instead of three dimensions -- but the form also ( except ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing