Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 31
... produce a tragic effect that satisfies the moral sense . 6. This effect is produced when the clever rogue , like Sisyphus , is outwitted , or the brave villain defeated . Such an event is prob- able in Agathon's sense of the word : " it ...
... produce a tragic effect that satisfies the moral sense . 6. This effect is produced when the clever rogue , like Sisyphus , is outwitted , or the brave villain defeated . Such an event is prob- able in Agathon's sense of the word : " it ...
Stran 231
... produced this piece at twenty , and never afterwards excelled it : he that delights himself with observing that such powers may be soon attained , cannot but grieve to think that life was ever after at a stand . To mention the ...
... produced this piece at twenty , and never afterwards excelled it : he that delights himself with observing that such powers may be soon attained , cannot but grieve to think that life was ever after at a stand . To mention the ...
Stran 346
... produced , which is confessedly produced by metrical composition essentially different from that which I have here endeavoured to recommend : for the Reader will say that he has been pleased by such composi- tion ; and what more can be ...
... produced , which is confessedly produced by metrical composition essentially different from that which I have here endeavoured to recommend : for the Reader will say that he has been pleased by such composi- tion ; and what more can be ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing