Crime and Punishment - Fyodor DostoevskyHarold Bloom Infobase Publishing, 2009 - 302 strani A psychological novel in the great Russian tradition, Crime and Punishment asks the question: What is the nature of punishment for a person who commits a crime without remorse? |
Vsebina
Introduction | 1 |
The Intellectual Problem II | 5 |
Characteristics of Genre and Plot Composition | 33 |
Psychology on Trial | 87 |
In Defense of the Epilogue of Crime and Punishment | 105 |
The Resurrection from Inertia in Crime and Punishment | 115 |
Mediating the Distance | 145 |
How Dostoevsky Inscribes Thou Shalt Not Kill in a Killers Heart | 169 |
Beyond the Will | 231 |
Towards an iconography of Crime and Punishment | 243 |
The Other Lazarus in Crime and Punishment | 257 |
Chronology | 279 |
Contributors | 283 |
285 | |
Acknowledgments | 289 |
291 | |
The Art of Crime and Punishment | 193 |
The Religious Symbolism of Clothing in Dostoevskys Crime and Punishment | 215 |
Pogosti izrazi in povedi
action already ancient appears becomes beginning believe Brothers called carnival carnivalistic characteristic characters Christ Christian Church clothing committed complete confession course Crime and Punishment death dialogue divine Dostoevsky dream earth everything example existence expression fact familiar father finds first freedom genre gives Gospel hand hero human idea important individual Karamazov Katerina kill language later laughter laws Lazarus literature living Lizaveta look Luzhin Marmeladov means menippea mind moral murder Napoleon narrative narrator nature never Notes novel observes once person Petrovich Porfiry position possible present prophecy question Raskolnikov Razumikhin reading reason reference resurrection Russian scene seems sense shows social song Sonia Sonya speak spiritual story suffering suggests Svidrigailov symbolic taboo tells theme theory things thought tradition turn understanding University voice whole woman