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TOWARDS A BIBLIOGRAPHY

THE FIRST VENTURE

Santayana, The Sense of Beauty, 1897

Brown, The Fine Arts, 1892

Puffer, The Psychology of Beauty, 1905

Vernon Lee, The Beautiful, 1913

Gordon, Esthetics, 1909

Bosanquet, Three Lectures on Aesthetics, 1914

Langfeld, The Aesthetic Attitude, 1920

Parker, The Principles of Aesthetics, 1920
Fechner, Vorschule der Aesthetik, 1876
Valentine, Experimental Psychology of Beauty
Clive Bell, Art, 1913

Flaccus, Artists and Thinkers, 1916

SYSTEM-BUILDERS

Lipps, Aesthetik, 1903-1905

Volkelt, System der Aesthetik, 1905-1914

Lange, Das Wesen der Kunst, 1901

Hegel, Vorlesungen über die Aesthetik, 1835

Croce, Aesthetic, tr. 1909

to these may be added Kant, Schopenhauer, Taine, Ruskin, and Tolstoy.

ORIGINS AND SOCIAL SETTING

Grosse, The Beginnings of Art, tr. 1897
Hirn, The Origins of Art, tr. 1900
Groos, The Plays of Man, tr. 1901
Buecher, Arbeit und Rhythmus, 1902
Spearing, The Childhood of Art, 1913

Goldenweiser, Early Civilization

Harrison, Ancient Art and Ritual, 1913

Frazer, The Golden Bough

L. Thorndike, A Short History of Civilization, 1926

Reinach, Apollo

HISTORICAL ORIENTATION

Faure, History of Art, tr. 1921

Springer, Kunstgeschichte

Meier-Graefe, Modern Art, tr. 1908
Cheney, A Primer of Modern Art, 1924
H. Gardner, Art Through the Ages, 1926
Bosanquet, History of Aesthetic, 1904-

ARTISTS ON THEIR ART

Vitruvius, De Architectura

Leonardo, Treatise on Painting

Essays, diaries, letters, prefaces by Schiller, Wordsworth, Poe, Hebbel, Shaw

Van Gogh, Letters; Gauguin, Noa Noa; Whistler, Ten O'clock Marc, Contributions to Der Blaue Reiter

Wagher, Prose Writings

Gsell, Rodin (tr. as Rodin, Art.)

Hildebrand, The Problem of Form, tr. 1907

Busoni, Entwurf einer Neuen Aesthetik der Tonkunst

Kandinsky, The Art of Spiritual Harmony, tr. 1914

ARTISTS AND THEIR WORK

Mauclair, Claude Monet, 1924

Blanche, Manet, 1924

Vollard, Renoir, 1920

Burger, Cézanne und Hodler, 1920

Meier-Graefe, Renoir

Cézanne

Bell, Since Cézanne, 1922

C. Burkhardt, Rodin, 1921

Deri, Die Neue Malerei, 1921

Berenson, Study and Criticism of Italian Art

Deri, Dessoir, etc., Einführung in die Kunst der Gegenwart, 1919 and countless studies and appreciations of artists old and new.

THE ARTS AND THEIR SPECIAL PROBLEMS

Banister Fletcher, A History of Architecture, 1921

American Institute of Architects, The Significance of the Fine Arts,

1923

Lessing, Laocoon, 1766

Babbitt, The New Laokoon, 1910

Pfeistücker, Das Wesen der Plastik, 1922

Guillaume and Munro, Primitive Negro Sculpture, 1926
and the work of Furtwaengler, Gardner, Bulle, Hyde, etc.
Buschor, Greek Vase Painting, tr. 1921

Regling, Die Antike Münze als Kunstwerk, 1924

Hamlin, A History of Ornament, 1921

Ross, On Drawing and Painting, 1912
Poore, Pictorial Composition, 1903
Wright, Modern Painting, 1915

Barnes, The Art in Painting, 1925

Ruskin, Modern Painters

Emmanuel, La Dance Grecque

Thiess, Der Tanz als Kunstwerk, 1920

Bie, Der Tanz

Aristotle, Poetics

Lanier, Science of English Verse, 1880

Watts-Dunton, Poetry and the Renaissance of Wonder

Gummere, Handbook of Poetics

Lowes, Tradition and Revolt in Poetry

Amy Lowell, Tendencies in Modern American Poetry, 1917

Untermeyer, American Poetry since 1900, 1923

Max Eastman, The Enjoyment of Poetry

Prefaces to the Imagist Anthologies

Freytag, Die Technik des Dramas

Lessing, Hamburgische Dramaturgie

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