The Spirit and Substance of ArtF. S. Crofts & Company, 1926 - 432 strani |
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Zadetki 1–5 od 85
Stran vii
... examples , to judge whether they are aptly chosen , and to bring to bear on any theories offered whatever direct acquaintance with works of art he may possess . I regret the absence of pictures . A few would have been of little use ; a ...
... examples , to judge whether they are aptly chosen , and to bring to bear on any theories offered whatever direct acquaintance with works of art he may possess . I regret the absence of pictures . A few would have been of little use ; a ...
Stran 8
... cuts have a vigor all their own . To this must be added the traditional technique of craftsmen and schools , and the individual technique of artists . An example of the former is Greek vase 8 THE SPIRIT AND SUBSTANCE OF ART.
... cuts have a vigor all their own . To this must be added the traditional technique of craftsmen and schools , and the individual technique of artists . An example of the former is Greek vase 8 THE SPIRIT AND SUBSTANCE OF ART.
Stran 9
Louis William Flaccus. artists . An example of the former is Greek vase - painting ; of the latter , the straight brush strokes of Van Gogh or the heavy black contour line of Daumier . How far into mat- ters of this sort ought the ...
Louis William Flaccus. artists . An example of the former is Greek vase - painting ; of the latter , the straight brush strokes of Van Gogh or the heavy black contour line of Daumier . How far into mat- ters of this sort ought the ...
Stran 24
... example of this interest and of a new scientific sociological and ethnological method . Not only is light thrown on one specific problem , that of the origins of art ; the book is controlled throughout by an ideal of a scientific ...
... example of this interest and of a new scientific sociological and ethnological method . Not only is light thrown on one specific problem , that of the origins of art ; the book is controlled throughout by an ideal of a scientific ...
Stran 28
... examples of each class and tabulates results . Other illustrations of Fechner's method are : his study of vowel - color ; his careful separation of the direct and associational factors in art ; and his analysis of the direct values of ...
... examples of each class and tabulates results . Other illustrations of Fechner's method are : his study of vowel - color ; his careful separation of the direct and associational factors in art ; and his analysis of the direct values of ...
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Pogosti izrazi in povedi
Aeschylus aesthetic aesthetic types aesthetician aims appears architecture Banister Fletcher beauty become body called Cézanne character color comedy comic complex consciousness contrast creative cubist dance decorative drama effects emotional enjoy enjoyment Erewhon experience expression expressionism expressionistic Falstaff Fauvism feeling force gained give Greek harmony Hegel human ideal imaginative impression impulses individual intensity interest interpretation Laocoon laughter light lines mark mass material means mechanical melody ment method mood moral motor movement nature objects organization Othello painter painting patterns phantasy picture play playful pleasing pleasure poem poet poetry problems program music psychic Psychology of Beauty pure pure moods purpose Rabelais reading relation response reveals rhythm rhythmic Rodin romanticism Sappho scheme sculpture seeks self-expression sense sensuous shade shaping shows simple Sketch social space spirit sublime sympathetic technique theory things tion tive tragedy tragic ture unity Vachel Lindsay values verse vision visual
Priljubljeni odlomki
Stran 180 - For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.
Stran 165 - SWIFTLY walk over the western wave, Spirit of Night ! Out of the misty eastern cave, Where all the long and lone daylight, Thou wovest dreams of joy and fear, Which make thee terrible and dear, — Swift be thy flight...
Stran 169 - And moan the expense of many a vanish'd sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored...
Stran 167 - Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers...
Stran 168 - The moving waters at their priest-like task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors :— No — yet still steadfast, still unchangeable, Pillow'd upon my fair Love's ripening breast To feel for ever its soft fall and swell, Awake for ever in a sweet unrest; Still, still to hear her tender-taken breath, And so live ever, — or else swoon to death.
Stran 180 - For all good poets, epic as well as lyric, compose their beautiful poems not by art, but because they are inspired and possessed. And as the Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed...
Stran 302 - We have shown that the pleasure of wit originates from an economy of expenditure in inhibition, of the comic from an economy of expenditure in thought, and of humor from an economy of expenditure in feeling.
Stran 186 - It lies in heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge.
Stran 180 - God. Beat me and hammer me into a steel spike. Drive me into the girders that hold a skyscraper together. Take red-hot rivets and fasten me into the central girders. Let me be the great nail holding a skyscraper through blue nights into white stars.
Stran 174 - Oread WHIRL UP, sea — whirl your pointed pines, splash your great pines on our rocks, hurl your green over us, cover us with your pools of fir.